| by Winter Lawrence |
With the days growing colder and shorter, there's no better time to grab a couple of books to hunker down for the long winter season! This month, I've gone Greek! LOL, not really, but I have fallen in love with retellings of classic mythologies (and I'm always a sucker for a good supernatural story), so here are my November picks...!
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child -- not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power -- the power of witchcraft, which can transform rivals into monsters and menace the gods themselves.
Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus.
But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from, or the mortals she has come to love.
With unforgettably vivid characters, mesmerizing language, and page-turning suspense, Circe is a triumph of storytelling, an intoxicating epic of family rivalry, palace intrigue, love and loss, as well as a celebration of indomitable female strength in a man's world.
Margaret Atwood returns with a shrewd, funny, and insightful retelling of the myth of Odysseus from the point of view of Penelope. Describing her own remarkable vision, the author writes in the foreword, “I’ve chosen to give the telling of the story to Penelope and to the twelve hanged maids. The maids form a chanting and singing Chorus, which focuses on two questions that must pose themselves after any close reading of the Odyssey: What led to the hanging of the maids, and what was Penelope really up to? The story as told in the Odyssey doesn’t hold water: there are too many inconsistencies. I’ve always been haunted by the hanged maids and, in The Penelopiad, so is Penelope herself.” One of the high points of literary fiction in 2005, this critically acclaimed story found a vast audience and is finally available in paperback.
Queen Briseis has been stolen from her conquered homeland and given as a concubine to a foreign warrior. The warrior is Achilles: famed hero, loathed enemy, ruthless butcher, darkly troubled spirit. Briseis's fate is now indivisibly entwined with his.
No one knows it yet, but there are just ten weeks to go until the Fall of Troy, the end of this long and bitter war. This is the start of The Iliad: the most famous war story ever told. The next ten weeks will be a story of male power, male ego, male violence. But what of the women? The thousands of female slaves in the soldiers' camp - in the laundry, at the loom, laying out the dead? Briseis is one of their number - and she will be our witness to history.
Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.
There is one other person in the house―a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.
For readers of Neil Gaiman’s The Ocean at the End of the Lane and fans of Madeline Miller’s Circe, Piranesi introduces an astonishing new world, an infinite labyrinth, full of startling images and surreal beauty, haunted by the tides and the clouds.
Watch your step.
Eliza knows the legends about the swamp near her house -- that people have fallen into sinkholes, never to be seen again, maybe even falling to the center of the earth. As an aspiring geologist, she knows the last part is impossible. But when her best friends drag her onto the uneven ground anyway, Eliza knows to be worried.
And when the earth opens under her feet, there isn't even time to say I told you so.
As she scrambles through one cave, which leads to another, and another, Eliza finds herself in an impossible world -- where a small group of people survive underground, running from vicious creatures, eating giant bugs, and creating their own subterranean society. Eliza is grateful to be alive, but this isn't home. Is she willing to risk everything to get back to the surface?
Everybody knows Cate Cahill and her sisters are eccentric. Too pretty, too reclusive, and far too educated for their own good. But the truth is even worse: they’re witches. And if their secret is discovered by the priests of the Brotherhood, it would mean an asylum, a prison ship—or an early grave.
Before her mother died, Cate promised to protect her sisters. But with only six months left to choose between marriage and the Sisterhood, she might not be able to keep her word...especially after she finds her mother’s diary, uncovering a secret that could spell her family’s destruction. Desperate to find alternatives to their fate, Cate starts scouring banned books and questioning rebellious new friends, all while juggling tea parties, shocking marriage proposals, and a forbidden romance with the completely unsuitable Finn Belastra.
If what her mother wrote is true, the Cahill girls aren’t safe. Not from the Brotherhood, the Sisterhood—not even from each other.
Seventeen-year-old Esme Pearl has a babysitters club. She knows it's kinda lame, but what else is she supposed to do? Get a job? Gross. Besides, Esme likes babysitting, and she's good at it.
And lately Esme needs all the cash she can get, because it seems like destruction follows her wherever she goes. Let's just say she owes some people a new tree.
Enter Cassandra Heaven. She's Instagram-model hot, dresses like she found her clothes in a dumpster, and has a rebellious streak as gnarly as the cafeteria cooking. So why is Cassandra willing to do anything, even take on a potty-training two-year-old, to join Esme's babysitters club?
The answer lies in a mysterious note Cassandra's mother left her: "Find the babysitters. Love, Mom."
Turns out, Esme and Cassandra have more in common than they think, and they're about to discover what being a babysitter really means: a heroic lineage of superpowers, magic rituals, and saving the innocent from seriously terrifying evil. And all before the parents get home.
A gorgeous lift-the-flap counting game that pairs parent animals with their babies, from the bestselling author of Room on the Broom.
From a bat and its pup, to a frog and its twelve tadpoles, young readers will delight in counting each creature's babies and learning unusual scientific names for young animals. With rhyming text, lift-the-flaps and peekaboo holes, and a surprise search-and-find element, this is a read-aloud delight and preschool must-have.